02 June 2010
How can I leave this behind? 
Freebass made their London live debut last night at a sold out (yet oddly quite roomy) 100 Club in that London.
An eclectic intro tape featuring Popcorn (by Hot Butter) and Mouldy Old Dough (by Lieutenant Pigeon – ha ha!) set the night up nicely.

Freebass took the stage just after nine to a rapturous welcome. Hooky positioned himself stage left in front of the big 100, Gary Briggs centre stage, Mani rear right (hidden by the huge pillar) and sadly there was no Andy Rourke. Hooky made a Viking-related quip and we were off.

The Freebass live sound is a hairy beast, featuring unsurprisingly a mixture of classic New Order / Stone Roses with a bit of early Foo Fighters thrown in for good measures. The only thing missing, perhaps inevitably due to Rourke's absence, was a Smiths tinge.

When Briggs delayed at the beginning of one song, Hooky quipped "Fookin' ell get yerself sorted out! You're in a proper band now!". And so he is.

After a set lasting approximately one hour they were off, returning for one encore of She Said and then they were gone.

Setlist

Plan B
Not Too Late
The Only Ones
Lady Violence
Kill Switch Pt 141
World Won't Wait
Secrets And Lies
Sister Surrender
The God Machine
--
She Said

The Freebass tour continues tonight at The Factory in Manchester.

Labels:

4 Comments:

Anonymous Anonymous said...

But were they any good?!

2/6/10 18:54

 
Blogger cerysmatic said...

Yes

2/6/10 20:35

 
Blogger Kelvin said...

MCR gig was great.

3/6/10 23:31

 
Anonymous Anonymous said...

'Popcorn' was by 'Hot Butter'. First records bought by myself. Has it's own website, as does it's composer Gershon Kingsley.

4/6/10 13:21

 

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The Names

Post punk cult band The Names emerged in the winter of 1977-1978 as The Passengers, gathering immediate attention on the local Brussels scene. In 1979, after a series of successful gigs and a crucial step forward opening for Magazine, they recorded their first E.P. ("Spectators Of Life") and attracted the interest of prominent label Factory Records in Manchester.

Their first British studio session (at Stockport's Strawberry Studio) produced the single "Nightshift" / "I Wish I Could Speak Your Language (Fac 29). Receiving enthusiastic reviews in the UK and abroad, it marked the start of a long and fruitful collaboration with producer Martin Hannett. The album "Swimming" followed as well as more singles, including "Calcutta" and "The Astronaut".

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