09 February 2010The Light
Any sense of Hacienda-vu - the opening was delayed whilst the builders finished building, the upper floors smelled of paint (some of it still wet), the fire alarm went off and that photo of Tony Wilson hangs above the reception desk - was quickly dispelled as Hooky took to the centre of the stage and, proudly wearing his (and Wilson's) heart - We made HISTORY not money - on his t-shirt, announced: "It's my club and i'll do whatever the f*ck I want!".
He then proceeded to do just that.
During an hour long, free and easy set that included Warsaw, Joy Division, New Order, Monaco and Freebass: Howard 'Mr Nice' Marks ranted, Mani played bass, Hooky played bass, Hooky's son played bass, Rowetta sang Atmosphere, Rowetta sang Insight, unfinished Joy Division and New Order tunes were finished, H air-punched, whooped, sang the wrong verses, paused mid-tune to get his breath back, and generally had the time of his life whilst co-lessor (?) Aaron Mellor stood transfixed at the rear of the stage, clearly loving every minute.
But one event - probably lost on all but the very few who were present at the opening night of the original Charles Street folly - confined the ghosts of how not to run a club to history.
Twenty years ago guests were summonsed by an invitation that consisted of a CD case bearing the axionometric diagram of the building on the cover. In true Factory style somebody forgot to hand out the contents - FACD 251 - on the night.
On Friday, though, VIP (or VASTLY INFLATED PERSONA according to their wristbands) guests were treated to a small gift: a CD case with an identical cover, this time complete with an actual CD.
A cheeky wink to the past indeed. But what of the future?
FAC251 The Factory could be a very interesting proposition: name any band in the world that would turn down an invitation to play in Peter Hook's front room. The fully northern alt-Ronnie Scott's.
Post punk cult band The Names emerged in the winter of 1977-1978 as The Passengers, gathering immediate attention on the local Brussels scene. In 1979, after a series of successful gigs and a crucial step forward opening for Magazine, they recorded their first E.P. ("Spectators Of Life") and attracted the interest of prominent label Factory Records in Manchester.
Their first British studio session (at Stockport's Strawberry Studio) produced the single "Nightshift" / "I Wish I Could Speak Your Language (Fac 29). Receiving enthusiastic reviews in the UK and abroad, it marked the start of a long and fruitful collaboration with producer Martin Hannett. The album "Swimming" followed as well as more singles, including "Calcutta" and "The Astronaut".
- extract from the official website biography