14 July 2008Realised
Peter Saville has the answer.
Revealed at the recent Q&A session at Manchester's Cornerhouse to mark the Manchester release of his book Estate, Peter Saville described 'flatpack plinth' as his "most important work since the cover of [New Order's] Power, Corruption and Lies".
The inspiration came during the installation of his 2005/6 solo archive exhibition at the Migros Museum für Gegenwartskunst in Zürich on which Estate is based.
Running out of space on a table displaying an array of his own 'found objects', Saville asked the gallery to provide him with a plinth on which to display an "interesting" plastic bird door chime.
The result so impressed Saville as to realise that the act of placing the bird onto a plinth elevated it to the status of art object: "the plinth actually formalised why the bird was interesting".
Realising the potential of such a mass-produced "universal accessory... to empower people's judgement", the Saville-designed, white cardboard 'flatpack plinth' is now in production with a limited initial run of 2000 expected to be available in September 2008, priced at GBP 40.00.
'Plastic Bird Door Chime' is available from Funky Lighting, priced GBP 12.99.
'Frog Eat Fly' (moist, 2005) is not for sale.
Post punk cult band The Names emerged in the winter of 1977-1978 as The Passengers, gathering immediate attention on the local Brussels scene. In 1979, after a series of successful gigs and a crucial step forward opening for Magazine, they recorded their first E.P. ("Spectators Of Life") and attracted the interest of prominent label Factory Records in Manchester.
Their first British studio session (at Stockport's Strawberry Studio) produced the single "Nightshift" / "I Wish I Could Speak Your Language (Fac 29). Receiving enthusiastic reviews in the UK and abroad, it marked the start of a long and fruitful collaboration with producer Martin Hannett. The album "Swimming" followed as well as more singles, including "Calcutta" and "The Astronaut".
- extract from the official website biography